Puer tea is a bit of an odd subject
with many opinions and very little consensus. This is a dark tea from
Yunnan and from what I can discern, in the past it was usually
pressed into bricks or cakes for transport (some tea was also pressed
to use as currency). The pressing was carried out when the tea was in
a raw, unprocessed state and over-time it developed into a darker
tea. This ‘ageing’ may have taken place during lengthy transport
and storage times. In the 1970s a couple of tea factories began
maturing the tea more quickly using a controlled process of
fermentation. Accounts say that this matured tea is not the same as
the aged tea but it is ready to drink.
So now we have three broad varieties
of puer: There is the raw (Sheng) puer, the aged dark (aged sheng)
puer, and dark (ripe or cooked) puer. To add a little confusion, the
dark puer is also sometimes aged to mature. These teas can be found
either loose or pressed into various shapes, predominantly bing cha
(flat round cakes, which I know as burnt biscuits), and tou cha
(which I know as burnt buns).
The value and status of these is all
a little muddled and uncertain. There is a lot of mystery and romance
woven into this part of tea culture over recent years, often
comparing cakes of fine puer to fine wines, aging and improving and
gaining in value as they do. This is a very, very poor analogy –
the ageing and improvement of wine is well understood chemistry,
while the maturation of puer tea very definitely is not – nobody
seems to agree exactly what the processes are that mature the tea,
nor even the best conditions for storage to facilitate it, some
requiring dry conditions, others requiring humidity. There is also
something a bit odd in pressing the tea for ageing rather than as a
finished product – while that would make it easy for storage and
transport, a compacted cake must surely not be the best state for
maturation by any means – be that by oxidation or fungus, or
whatever else gets suggested. For sure, genuine aged cakes of puer
fetch stunningly high prices but you’ve also little guarantee of
what you are getting – the risk of counterfeiting aside, you cannot
know the conditions under which the tea has been stored so that you
could have something with a taste worthy of the price paid or which
just tastes of muddy compost.
As mentioned, counterfeiting is a
growing problem, to the extent that some commentators recommend
avoiding the best known labels, focussing instead on less well known
factories that command a lower price and so present less incentive to
the counterfeiters.
I have never sampled a tea matured
over any significant period but I do enjoy both the ripened puer and
young raw puer (both of which have the virtue of being rather more
affordable, though still seldom actually cheap if you want something
really nice).
The raw tea tends to be very astringent and some people talk about
it having an adverse effect on their stomachs, though I’ve never
had a problem with it – but I do brew it very lightly. The aged
product is supposed to mellow somewhat and while 7 to 10 years is
still thought to be fairly young by some, it has gained a new, softer
flavour profile. As it gets older than this, the tea takes on the
characteristics of a darker tea, with a full bodied mellow taste.
I have toyed with the idea of trying to age some tea myself –
there is a cupboard at the top of the attic stairway that might be
reasonably suitable. I don’t plan to waste a fortune on cakes to
put away but I may collect a few samples to try out every five years
or so just to see. I’m tempted to call them my retirement teas –
but truth be known, with the way things are in this country, I
suspect that I shall retire in a box carried out of the office.
Instead, I shall just think of them as 60th and 70th
birthday presents to myself. Or, if they end up tasting awful, I’ll
just call them failed experiments, chalk it up to experience, and be
satisfied that it’s a mistake I won’t have enough years left to
repeat. At the end of the day, there are so many uncertainties with
ageing tea that my feeling is that it’s best not to too risk much
on it – if you have a good tea, enjoy it now. A bird in the
hand...and all that jazz.
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